Planet Hong Kong: Popular Cinema and the Art of Entertainment
Cambridge: Harvard University Press, 2000.'

An effort to propose a poetics of popular film, while also celebrating a tradition I love. It’s also a mix of academic film history and film analysis with a looser, more informal writing style. Writing it was quite hard, since the subject kept changing from week to week: new films, a fresh crisis in the industry, another batch of books and articles, a new wave of information bursting off the Net. But I hope both fans and nonspecialists find some of it worthwhile. Other Hong Kong pieces are noted in the articles section.
Translated into long form Chinese (Hong Kong: Arts Council Film Critics Society, 2001) and simplified Chinese (Beijing: Hainan, 2003). Italian readers might be interested in a journalistic essay, “Senza Inibizioni: Introduzione al cinema di Hong Kong,” Segno cinema no. 80 (July/ August 1996), pp. 12–14.


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